![]() “Cat Person” graded by Alex Berman of Goldcrest Post, New York.“Bad Press” graded by Dan Edwards of Changing Frames.“All Dirt Roads Taste of Salt” graded by Alex Bickel of Color Collective.“Aliens Abducted My Parents and Now I Feel Kinda Left Out” graded by Drew Tekulve of Paradox Post, with VFX artist Connor Bennett of Kaleidoscope Pictures also using DaVinci Resolve Studio for color keying.“Against the Tide” graded by Nicolas Perret at Gump Studios and onlined by Clément Allemand of Lemon Studio.“The Accidental Getaway Driver” graded by Houmam Abdallah of AFATECS.Some of the Sundance projects that used DaVinci Resolve and DaVinci Resolve Studio for production and post production include: Fusion was also used extensively for small effects in the film, mostly masking various shots together.” “We also used Fairlight after picture lock to separate and deliver audio stems via buses and export AFFs to the various audio departments. We then discovered multi user edit sessions in Blackmagic Cloud, which was a total game changer, and we couldn't have finished the movie without it,” he said. “In addition to grading, editorial used DaVinci Resolve Studio to edit the entire movie, with multiple editors working in various cities and trading DRTs between them seamlessly. “Sometimes I Think About Dying” DP Dustin Lane used Pocket Cinema Camera 6K for B unit photography.ĭaVinci Resolve Studio continues to support numerous facets of the production and post pipelines, and as Post Producer JP Castel noted, it was used by multiple departments on “My Animal.”.“Rye Lane” DP Olan Collardy used Pocket Cinema Camera 4K for select scenes and.“Nam June Paik: Moon Is the Oldest TV” DP Nelson Walker used Pocket Cinema Camera 6K for select interviews.“Infinity Pool” DP Karim Hussain used Pocket Cinema Camera 6K for insert and 2nd unit shots.“Going Varsity in Mariachi” Sound Recordist Charlie Vela used Pocket Cinema Camera 4K for select sequences.“Going to Mars: The Nikki Giovanni Project” DP Derek Wiesehahn used Pocket Cinema Camera 4K and URSA Mini Pro 4.6K.“Fantastic Machine” Directors Axel Danielson and Maximilien Van Aertryck used Pocket Cinema Camera 6K Pro.“A Common Sequence” Co directors Mary Helena Clark and Mike Gibisser used Blackmagic URSA Mini Pro 4.6K and Blackmagic Pocket Cinema Camera 6K Pro digital film cameras. ![]() Blackmagic Cloud also gave me the flexibility to work from Nice Dissolve's studio, from my home studio in Brooklyn and in France seamlessly, never worrying about the latest versions of the project.” Some of the Sundance projects that used Blackmagic Design cameras include: “For complex conform with multiple archives and sources, it meant being able to start color a little earlier than we normally would because conform could take place while look set sessions were happening. “Using Blackmagic Cloud has made major improvements in how I have been able to work during these pandemic days where many long time collaborators have relocated," said Colorist Natacha Ikoli of Nice Dissolve. Blackmagic Design Used on More TSundance Film Festival Projectsįremont, CA, USA - Tuesday, JanuBlackmagic Design today announced that more than 60 projects at the 2023 Sundance Film Festival used its digital films cameras, DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post pro
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